Ook Pik Waltz – Fiddle Tune a Day – Day 92

In honor of the prettiest waltz thread, I recorded Ook Pik Waltz today. My first memory of Ook Pik was of Trisha Peterson (formerly Isenberger) beating me in a fiddle contest playing this pretty waltz. I didn’t like it so much then. 😉

I must say today that it is a pretty waltz, while I still don’t play it in fiddle contests. And, this is another tune that like Ashokan Farewell sounds a lot older than it really is.

Learn to play Ookpik Waltz on fiddle here

OokPik Waltz according to Fiddler’s Companion

OOKPIK WALTZ. AKA and see “Eskimo Waltz,” “Utpick Waltz,” “Ootpik Waltz.” Canadian, American; Waltz. G Major (‘A’ part) & E Minor (‘B’ part) {Matthiesen, Phillips}: A Major (‘A’ part) & F # Minor (‘B’ part) {Reiner & Anick}. Standard tuning. AA’B (Matthiesen): AABB’ (Phillips): AA’BB’ (Reiner & Anick). A folk‑processed tune (whose title has various spellings) that surfaced as a contest waltz in the West (first heard at the Weiser constest in the early 1970’s being played by a group of Spokane fiddlers–Don Gish, Sheila Wright, et al—according to Seattle fiddler Vivian Williams). It quickly became widely disseminated and popular among many North American fiddling genres, though of late it seems to have lost its cachet among some fiddlers due to the frequency of its having been played and heard. Rumors and folklore have become attached to it, and stories of its having been composed by ‘Eskimos’ or that it was a Canadian or Eskimo dirge are common; many sources have asserted (although seemingly with little confidence) that it derived from the Pacific Northwest. Some stories have it that the tune was named for an Inuit funeral dirge, and that the Inuit believed “ook pik” was the owl that came to carry to soul away.

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The facts sustain at least some of the folklore, albeit in a rather quirky way. According to the Canadian Encyclopedia, the word Ookpik is Inuktitut for “snowy” or “Arctic owl.” It was also the name of the most popular of Inuit handicrafts in the form of a souvenier sealskin owl, which featured an appealling large head and big eyes (a la the Disney cartoon characters). It was created at the Fort Chimo Eskimo Co-operative in Québec in 1963, and quickly became a worldwide symbol for Canadian handicrafts. The cute fuzzy, stuffed Ookpik owl doll was already popular image in Canada by the time of the Centennial (1967), which propelled it to even more fame.

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Despite the rumors of antiquity, the “Ookpik Waltz” was not dervived from a Native American source but is a composition of Mission, British Columbia, fiddler Frankie Rodgers, who has published it in a tunebook of his compositions. British Columbia fiddlers know the tunebook and the source well. It was also first recorded on his (c. 1960’s) LP “Maple Sugar, Fiddle Favorites by Canada’s Old Time Fiddle King Frankie Rodgers of the Rodgers Brothers Band” (Point P-250). Sheet music of “Ookpik Waltz” was published with a 1965 copyright to Rodgers.