COTFA Texas Rhythm Guitar Workshops

Colorado Old Time Fiddlers Association Guitar Workshops: presented by Sydney Green & Katie Glassman-Salzberg

Workshop address:  5445 S. Hoyt St., Littleton, CO  80123

2012 Class schedule:

 February 12: time 10:30 a.m. – 12 p.m.

 March 11: time 10:30 a.m. – 12 p.m.

 April 15: time 10:30 a.m. – 12 p.m.

Location: 5445 S. Hoyt St. , Littleton, CO 80123

Cost: $25 per person per session

 Pre-register by sending registration form and money to COTFA, 5082 E. Hampden Avenue, Suite 142, Denver, CO. 80222.

Attached is the COTFA guitarworkshop Registration Form.

Good for the Tongue – Fiddle Tune a Day – Day 17

Tonight, I attended the ISES vendor showcase in Denver. There were lots of wedding and event vendors to meet and schmooze with. And, the fancy desserts were awesome, especially the ‘smores in a cup with peanut butter and graham crackers covered in dark chocolate ganache, with a little dollup of toasted marshmallow cream mousse on top (courtesy of the Food Guy Catering). As I was eating this yumminess I was trying to pick a fiddle tune to record, and Good for the Tongue seemed like and obvious choice.

I first heard this song as part of a medley along with Bee’s Wings Hornpipe recorded by Danita Rast (now Gardner) back in the early 90′s. She’s a great fiddler and if you haven’t heard her play, you should. I have also heard it played as part of the College Hornpipe medley (Mark O’Connor’s version). I thought the tune was really cool, so I worked it up. Enjoy!

 

History of Good for the Tongue According to the Fiddler’s Companion

GOOD FOR THE TONGUE. AKA and see “Jenkin’s Hornpipe,” “The Stoney/Stony Steps,” “The Washington Hornpipe.” American, Breakdown or Hornpipe. USA; Nebraska, Missouri. B Flat Major (Christeson, Cole, Ford, Howe, Phillips, White): A Major (Silberberg, Songer). Standard tuning. AB (Silberberg): AABB (most versions). The melody’s presence in Ryan’s Mammoth Collection (1883) suggests this was once a brass band tune (as was, for example, “Ned Kendall’s Hornpipe”), a genre popular in the mid-19th century, and originally meant to be played on an instrument that featured ‘tonguing’ articulation of notes, like a coronet. Missouri fiddler Cyril Stinnett (1912-1986) thought it one of the more difficult tunes in his repertoire. Northwest U.S. fiddlers have changed the original key to A major. See also the closely related tune “White Fish in the Rapids.” Sources for notated versions: Bob Walters (1889-1960, Burt County, Nebraska) [Christeson, Phillips]; Deborah and Creighton Lindsay (Portland, Oregon) [Songer]; Cathie Whitesides [Silberberg]. R.P. Christeson (Old Time Fiddlers Repertory, Vol. 2), 1984; pg. 25. Cole (1000 Fiddle Tunes), 1940; pg. 92. Ford (Traditional Music in America), 1940; pg. 96. Howe (1000 Jigs and Reels), c. 1867; pg. 80.Phillips (Traditional American Fiddle Tunes), Vol. 2, 1995; pg. 195. Songer (Portland Collection), 1997; pg. 85. Ryan’s Mammoth Collection, 1883. Silberberg (Tunes I Learned at Tractor Tavern), 2002; pg. 54. White’s Unique Collection, 1896; No. 142, pg. 25. Great Meadow Music CD 2008, Bob McQuillen and Friends – “Old New England” (1996). Missouri State Old Time Fiddlers’ Association, Bob Walters – “Drunken Wagoneer.” Laurie Andres – “Fantastic Hornpipe” (1991. learned from Bob Childs and Greg Boardman, who had the tune from Maine dance musician Otto Sopher).

 

Vi Featured in Colorado Old-Time Fiddlers’ Association Newsletter

My CD Release, and one of my original tunes, Buttered Beans were featured in this issue of the Colorado Old-Time Fiddlers’ Association Newsletter.  It’s always nice to get some of my tunes out there in front of other fiddlers. And, I was named to the COTFA Board of Directors – pretty exciting stuff.

Feb – March 2011.pdf View the COTFA Newsletter

 

 

 

COTFA May Newsletter Mention

The May edition of the Colorado Old Time Fiddlers’ Association Newsletter features another arrangement by Fort Collins Strings Member, Vi Wickam.

The May newsletter features a Twin Fiddle arrangement of “Who’s Gonna Talk to Dinah” as arranged by Vi Wickam. Vi learned this piece by listening to Junior Marriott and Alita Stoneking play the tune in the Twin Fiddle division at the American Heritage Music Festival in Grand Lake, OK. This isn’t a transcription of what they played, but is an arrangement that Vi worked up when he got back home after the contest.

COTFA Newsletter May 2010

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